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Packaging done perfect – how recyclable materials help our planet

Packaging is the technology of enclosing or protecting products for distribution, storage, sale, and use. Packaging also refers to the process of designing, evaluating, and producing packages.

Packaging can be described as a coordinated system of preparing goods for transport, warehousing, logistics, sale, and end use. Packaging contains, protects, preserves, transports, informs, and sells. In many countries it is fully integrated into government, business, institutional, industrial, and personal use.

Package labeling (American English) or labelling (British English) is any written, electronic, or graphic communication on the package or on a separate but associated label.

The first packages used the natural materials available at the time: baskets of reeds, wineskins (bota bags), wooden boxes, pottery vases, ceramic amphorae, wooden barrels, woven bags, etc. Processed materials were used to form packages as they were developed: for example, early glass and bronze vessels. The study of old packages is an important aspect of archaeology.

 

The earliest recorded use of paper for packaging dates back to 1035, when a Persian traveler visiting markets in Cairo noted that vegetables, spices and hardware were wrapped in paper for the customers after they were sold.

沒有身體的器官
Organs without Body

About

顏寧志是一位跨領域藝術家、策展人與敘事編導,擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究,長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法,他關注影像、身體、空間與公共相遇如何生成意義,並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。

Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.

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