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Dynamics of Family Life in Post-Modern Architecture

Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture. Modern architecture was particularly felt in the international style advocated by Le Corbusier and Ludwig Mies van der Rohe. The movement was given a doctrine by the architect and architectural theorist Robert Venturi in his 1966 book Complexity and Contradiction in Architecture.

The style flourished from the 1980s through the 1990s, particularly in the work of Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s it divided into a multitude of new tendencies, including high-tech architecture, neoclassicism and deconstructivism.

Postmodern architecture emerged in the 1960s as a reaction against the perceived shortcomings of modern architecture, particularly its rigid doctrines, its uniformity, its lack of ornament, and its habit of ignoring the history and culture of the cities where it appeared. The architect and architectural historian Robert Venturi led the attack in 1966 in his book, Complexity and Contradiction in Architecture.

 

 

 

 

The Japanese architects Tadao Ando (born 1941) and Isozaki Arata (born 1931) introduced the ideas of the postmodern movement to Japan. Before opening his studio in Osaka in 1969, Ando traveled widely in North America, Africa and Europe, absorbing European and American styles, and had no formal architectural education, though he taught later at Yale University (1987), Columbia University (1988) and Harvard University (1990). Most of his buildings were constructed of raw concrete in cubic forms, but had wide openings which brought in light and views of the nature outside. Beginning in the 1990s, he began using wood as a building material, and introduced elements of traditional Japanese architecture, particularly in his design of the Museum of Wood Culture (1995). His Bennesse House in Naoshima, Kagama, has elements of classic Japanese architecture and a plan which subtly integrates the house into the natural landscape, He won the Pritzker Prize, the most prestigious award in architecture, in 1995.

沒有身體的器官
Organs without Body

About

顏寧志是一位跨領域藝術家、策展人與敘事編導,擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究,長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法,他關注影像、身體、空間與公共相遇如何生成意義,並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。

Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.

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