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One day you’re in, the next day you’re out

這是在《project runway 決戰伸展台》海蒂克隆每次開場的一句台詞:「One day you’re in, the next day you’re out」。這句話他反過來講應該也通:「One day you’re out, the next day you might be in」。

能夠走到「In」的設計師或是創作者應該是在無數次「Out」(或被唱衰會「Out」)的時候,都能冷靜思考、反省改進,
然後在這條瀰漫夢幻煙霧,實則殘酷無情的Runway中,持續跟自己的Project賽跑,並且堅持下去的人。

在各式各樣的比賽徵件補助中來回,有的不甘心一試再試,只要永遠不要放棄,看著一百個被退件或是未獲選的信件,當一個肯定你的眼神跟機會,一切就是值得的!

沒有身體的器官
Organs without Body

About

顏寧志是一位跨領域藝術家、策展人與敘事編導,擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究,長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法,他關注影像、身體、空間與公共相遇如何生成意義,並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。

Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.

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