好不容易終於可以暫時把身上的裝備卸下來
才驚覺身上到底背了多少多重的裝備
弄得好像去打仗一般的戰戰兢兢
在短暫的存檔之後才會知道進度跟接下來的關卡要怎麼破
說不定就可以不用帶那麼多的裝備上路累死自己了
現實生活中可沒有外掛或是金手指秘技
更沒有生命不減
我睡了一覺起來才發現我有多累
反正來年也要好好努力
等那一天經驗質累積夠了才可以升級阿 應該快了吧
By
卸甲
沒有身體的器官
Organs without Body
About
顏寧志是一位跨領域藝術家、策展人與敘事編導，擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究，長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法，他關注影像、身體、空間與公共相遇如何生成意義，並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。
Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.
