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2012 Idea of Fashion Ed.II : Crossovers between Art & Fashion

Venue: KHOJ International Artists’ Association, KHOJ Studios, New Delhi
Project: Idea of Fashion Ed.II : Crossovers between Art & Fashion
Date: Wednesday, 1 February 2012 – Wednesday, 29 February 2012

Other Dates: OPEN DAY : Idea of Fashion Ed.II : Crossovers between Art & Fashion, 24 Feb 2012

Participating Artists :

Andy Yen (Taipei, Taiwan)
Archana Hande (Mumbai/ Bangalore, India)
Julie Skarland (Trondheim, Norway/Delhi, India)
Faseeh Saleem (Lahore, Pakistan)
Varun Sardana (Delhi, India)

Exhibition on view till 3rd March 2012 Daily from 10:30 am – 7:00 pm (Sunday Closed)

Blurring the boundaries between art and fashion, the participants of this residency are creative practitioners with projects that explore visual and intellectual principles that chart these processes through disciplines not readily associated with art and fashion, but motivated by political, social and economic realities as also inspired by architecture, philosophy, science, history, technology and so on.

Panel Discussion at 5:00 pm followed by the opening.

Invited Speakers:
Archana Shastri – Professor and Head of Department, Kala Darshana, IGNCA
Tarun Tahiliani – Fashion Designer
Thukral & Tagra – Visual Artists

Moderated by: Radhika Bhalla – Critic in Residence

沒有身體的器官
Organs without Body

About

顏寧志是一位跨領域藝術家、策展人與敘事編導,擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究,長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法,他關注影像、身體、空間與公共相遇如何生成意義,並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。

Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.

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