「在無數的光影之中,等待那最好的第七張。」
「Amidst the infinite play of light and shadow, waiting for that one perfect seventh shot.」
「如果可以,從星期一拍到星期天,每天都為你拍一張照片。第七張,一定是最好的一張。」
「If possible, I would take a photo of you every day, from Monday to Sunday. The seventh shot would undoubtedly be the best.」
「神用了七天創造世界。」
「God took seven days to create the world.」
「我們用七次、七小時和七個物件來交換七個瞬間。」
「We take seven attempts, seven hours, and seven objects to exchange for seven moments.」
第七張照片 _the 7th photo project 底片拍攝計劃
沒有身體的器官
Organs without Body
About
顏寧志是一位跨領域藝術家、策展人與敘事編導,擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究,長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法,他關注影像、身體、空間與公共相遇如何生成意義,並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。
Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.
Get updated
Subscribe to our newsletter and receive our very latest news.








