第一階：「厚如城牆，黑如煤炭。」 第二階：「厚而硬，黑而亮。」 最高階：「厚而無形，黑而無色。」
「厚而無形，黑而無色。」「至厚至黑，天下後世，皆以為不厚不黑。」
樹不要皮,必死無疑;人不要臉,天下無敵
By
厚黑 cheeky
沒有身體的器官
Organs without Body
About
顏寧志是一位跨領域藝術家、策展人與敘事編導，擁有逾十五年深耕臺灣與亞洲藝術生態的實踐經驗。其工作橫跨當代藝術、設計、表演、策展、品牌文化與文化研究，長期於視覺藝術與表演藝術的交界展開創作。透過跨領域且以敘事為核心的方法，他關注影像、身體、空間與公共相遇如何生成意義，並持續拓展藝術實踐、策展策略、文化論述與公共策劃的可能性。
Andy Yen is an interdisciplinary artist, curator, and writer-director whose practice is grounded in more than fifteen years of engagement with the art ecosystems of Taiwan and Asia. Working across contemporary art, design, performance, curating, brand culture, and cultural research, he develops projects at the intersection of visual and performing arts. Through a cross-disciplinary and narrative-driven approach, he explores how images, bodies, spaces, and public encounters generate meaning, while expanding the possibilities of artistic practice, curatorial strategy, cultural discourse, and public programming.
